Suzzana Owiyo

Name: Suzanna Owiyo
Born: Unknown (Kasaye village, Nyakach, Kenya)

Profile: She is a Kenyan musician. A singer-songwriter, and Owiyo has been called as "the Tracy Chapman of Africa".

History: Owiyo was introduced to music at a tender age by her grandfather who was a prolific Nyatiti player.

In high school, she helped her school to win many trophies during the provincial and national music festivals. In 1998, after high school, Owiyo joined a Nairobi based singer Sally Oyugi as a backup vocalist, and 2 years later she parted ways with Sally to team up with a local band in Nairobi; "Bora Bora sound" and later on went back to sing in Kisumu. It was here that a young business entrepreneur with a keen ear for music spotted her talent and offered her, her first guitar. She then went back to Nairobi and undertook music lessons at the Kenya Conservatoire of Music.

It was while preparations were being made for the centennial celebrations of the city of Kisumu, that Owiyo was requested to compose a theme song for the opening ceremony. In front of a capacity crowd of 60,000 people 'Kisumu 100' was born and immediate success followed; a prolonged applause and a standing ovation.

Owiyo then decided to work on an album with Kenyan music producer Tedd Josiah. The album, which received great success on the radio, won her a nomination in the Kora Awards 2002 in the 'Most Promising Female Artist category'. The same album won her a Kisima Awards for the Most Promising Female Artist of 2003. Her new single 'Sandore' and the video clip with a powerful message on child labour was also a success.

In 2003, Owiyo represented her country at the Kenyan Festival in Paris, and in August the same year she represented East Africa at the Pan-African music Festival in Brazzaville where she sang alongside Youssou N’dour, Koffi Olomide and Rebecca Malope among other African greats.

In 2004, she performed at the Festival Mundial in Tilburg, Holland, and Owiyo beat a host of African artistes to clinch the single berth reserved for a female African artiste to perform at the Nobel Peace Prize Concert, where she performed with her band, and also performed the song 'Imagine' with artistes such as Cyndi Lauper, Andrea Bocelli, Chris Botti, Patti Labelle and Baba Maal.

In 2007, Owiyo was part of the Divas of The Nile supergroup, that featured four Kenyan female musicians. The others were Mercy Myra, Achieng Abura and Princess Jully. The group performed at the Festival Mundial. In 2008, she performed at the Nelson Mandela's 90th birthday concert in London and performed again at the WOMEX festival. She is among the Kenyan artistes who have been sponsored by the Alliance Française in Nairobi.

Influences: Unknown

Axology: Acoustic guitar and other traditional African instruments

Signature song(s): Sandore - Suzzana Owiyo (2002)

Link(s):

http://www.suzannaowiyo.net/ (Official website)

http://www.youtube.com/watch?v=bvwUXbp7S5g

http://www.youtube.com/watch?v=nIpvI8D_dco

Michael Franks

Name: Michael Franks
Born: 18th September, 1944 (La Jolla, California, USA)

Profile: He is an American smooth jazz singer and songwriter. Franks has recorded with a Who's Who of artists, such as Patti Austin, Brenda Russell, Art Garfunkel, and David Sanborn. His songs have been recorded by "The Manhattan Transfer", Patti Labelle, Carmen McRae, Diana Krall, Shirley Bassey and "The Carpenters".

History: Although no one in Franks family played music, his parents loved swing music and his early influences included Nat King Cole and Johnny Mercer. At age 14, he bought his first guitar (a Japanese Marco Polo for $29.95 with six private lessons included - the only music education that he received).

At University High in Irvine, Franks discovered the poetry of Theodore Roethke with his off-rhymes and hidden meter. In high school, he began singing folk-rock, accompanying himself on guitar. Studying English at UCLA he discovered Dave Brubeck, Patti Page, Stan Getz, João Gilberto, Antonio Carlos Jobim and Miles Davis, and he never studied music in college.

During this time he started writing songs, starting with the anti-war musical Anthems in E-flat starring Mark Hamill. He also composed music for the films 'Count Your Bullets', 'Cockfighter', and 'Zandy's Bride'. Sonny Terry and Brownie McGhee recorded 3 of Franks' songs, including 'White Boy Lost in the Blues', on their album 'Sonny & Brownie'. Michael played guitar, banjo and mandolin on the album and joined them in touring.

In 1973, Franks recorded an eponymous album (later reissued as 'Previously Unavailable'), which included the minor hit 'Can't Seem to Shake this Rock 'n Roll'. In 1976, he released his second album 'The Art of Tea', beginning a long relationship with WB Music, the album featured Joe Sample, Larry Carlton and Wilton Felder (The Crusaders) and included the hit song 'Popsicle Toes'.

Franks' third album, 'Sleeping Gypsy', which includes the song 'The Lady Wants to Know', was partially recorded in Brazil. Around this time, percussionist Ray Armando first gave Franks what would become a signature instrument - a cabasa - to play on stage for songs he didn't play guitar on. His 1978 album, 'Burchfield Nines', which includes the song 'When the Cookie Jar is Empty', reflects Franks move to New York City and features more of an East Coast sound. Since then, he has recorded more than 15 albums.

His best known works include 'When I Give My Love To You', 'Popsicle Toes', 'Monkey See', 'Monkey Do', 'Tiger in the Rain', 'Rainy Night in Tokyo', and 'Tell Me All About It'. His biggest hit came in 1983 with 'When Sly Calls (Don't Touch That Phone)', from the album 'Passionfruit'. Radio hits include 'Your Secret's Safe With Me' from the 1985 album 'Skin Dive', and 'Island Life' from 1987's 'The Camera Never Lies'.

Influences: Peggy Lee, Nat King Cole, Ira Gershwin, Irving Berlin and Johnny Mercer

Axology: Unknown

Signature song(s): Can't Seem to Shake this Rock 'n Roll - Michael Franks (Previously Unavailable, 1973)

Link(s):

http://www.michaelfranks.com/ (Official website)

http://www.youtube.com/watch?v=cPWA9N10tRQ

http://www.youtube.com/watch?v=oDb6X7-Y6RY

Rosli Mohalim (Sweet Charity)

Name: Rosli Mohalim
Born: 30th September, 1954 (Singapore)

Profile: He is a Singaporean musician, composer and a self-taught guitarist, better known for his guitar works in the 1970's legendary rock group "Sweet Charity" (AKA Singapore's "Deep Purple"). Other then music, Rosli also appreciate fine arts, he graduated from Nanyang Academy Singapore - Fine Arts in 1975.

History: He started to take an interest in music since primary school, from the influence of his brother, his brother was a music lover who always organized bands in the 60's, and every time there was a jammed session, Rosli will come along and play around with the drums. After he finished Primary 6, his brother bought him an acoustic Rossini guitar. Though Rosli did not have any interest in guitar at the time but he learn and developed some of his techniques from a friend named Fadhlin, and bought his first electric guitar when he was just starting his secondary school.

In 1970, Rosli joined a band called "Purple Grass" - which covered mostly "Deep Purple's" songs. After he graduated from school in 1975, he joined a band called "Sugar N Spice" which played mostly on clubs, this period was the era of funk and disco music, and Rosli at the time played bass guitar for the band.

In 1976, frontman Ramli Sarip and guitarist A. Ali of "Sweet Charity", met up with Rosli and asked him to joined "Sweet Charity" as a bass player replacing Wahid Warren. Ramli was very interested on how Rosli played his bass in one of the clubs where Rosli performed, but after guitarist A. Ali left the band, Rosli step up to take the guitar work and told Ramli to look for a new bassist (Rosli was replaced by the late Syed Hassan).

In 1978, "Sweet Charity" debut album was released, and it was the starting era of Rock & Roll in both Singapore and Malaysia. Followed by their second album, in 1980, 'Pelarian', this album consists of two legendary songs, such as; 'Musibah' and 'Zakiah'. Rosli and "Sweet Charity" managed to released 6 more albums until the late 80's, and did a reunion in 1996, with the original line-ups. Today, he is still in the music industry and is one of the high demand session for solo artists, both in Singapore and Malaysia.

Influences: Deep Purple, Black Sabbath, Santana and Grand Funk

Axology: Fender Stratocaster guitar with Floyd Rose Tremolo

Signature song(s): Teratai - Sweet Charity and Kamelia - Sweet Charity (both songs are from - Koleksi Sweet Charity, 1984)

Link(s):

http://roslimohalimfriends.blogspot.com/ (Rosli's blog)

http://www.youtube.com/watch?v=lzeE3IU-XTw

http://www.youtube.com/watch?v=7B4iD3en5GU&feature=related

Link Wray

Name: Frederick Lincoln Wray Jr.
Born/Died: 2nd May, 1929 (Dunn, North Carolina, USA) - 5th November, 2005

Profile: He was an American rock and roll guitarist, songwriter and occasional singer. Wray was noted for pioneering a new sound for electric guitars, as exemplified in his hit 1958 instrumental 'Rumble', which pioneered an overdriven, distorted electric guitar sound, and also for having, 'invented the power chord, the major modus operandi of modern rock guitarist', 'punk' and 'heavy rock'.

History: At age 8, young Wray first heard slide guitar from a traveling carnival worker, an African-American man named 'Hambone', he got interested with the instrument and learned how to play it. In his early years, Wray was a veteran of the Korean war, where he contracted tuberculosis (TB) that ultimately cost him a lung. His doctors told him that he would never sing again. So he concentrated on his heavy guitar work. Despite this, on his rare vocal numbers he displays a strong voice and a range equivalent to Clarence 'Frogman' Henry.

After discharge from the Army, Wray and his brothers Doug and Vernon Wray, with friends Shorty Horton and Dixie Neal, formed "Lucky Wray and the Lazy Pine Wranglers", later known as "Lucky Wray and the Palomino Ranch Hands". They had been playing country music and Western swing for several years when they took a gig as the house band on the daily live TV show Milt Grant's House Party, a Washington, DC version of American Bandstand. The band made their first recordings in 1956 as "Lucky Wray and the Palomino Ranch Hands" for Starday Records.

In 1958, at a live gig of the Milt Grant's House Party, attempting—at the urging of the local crowd—to work up a cover sound-alike for "The Diamonds" hit, 'The Stroll', they came up with an eleven and one half bar blues titled 'Rumble'. The song was an instant hit with the live audience, which demanded four repeats that night. Eventually the song came to the attention of record producer Archie Bleyer, and he wanted the song to be recorded. The song became a huge hit, not only in the US, but also Great Britain, where it has been cited as an influence on "The Kinks", "The Who" and Jimmy Page among others.

In 1960, he performed an instrumental song composed by Jerry Lordan, called 'Apache' which became a hit in the UK for "The Shadows". Wray later recorded one of the better covers of the song 30 years later, somehow finding new life in this mythic, minor-key, guitar/drum dialogue which by then was also associated with everyone from "The Ventures" to the "Incredible Bongo Band". And with the band they had several more hard-rocking instrumental hits in the late 50's and early 60's, including 'Rawhide', 'Ace of Spades', and 'Jack the Ripper'.

After his initial hits, Wray's career had periods of retirement followed by renewed popularity, particularly in Europe. He toured and recorded two albums with retro-rockabilly artist Robert Gordon in the late 70's. The 80's to the 90's saw a large number of reissues as well as new material. Wray's last new recording was in 2000, titled 'Barbed Wire', he even continued to tour up until four months before he died.

In 2003, Link Wray was ranked at #67 in Rolling Stone magazine's list of the 100 Greatest Guitarists of all time, but still has not yet been inducted into the Rock and Roll Hall of Fame. He is, however, a member of the Rockabilly Hall of Fame.

Influences: Unknown

Axology: Fender Stratocaster and Gibson SG

Signature song(s): Rumble - Link Wray and his Ray Men (1958)

Link(s):

http://www.rockabillyhall.com/LinkWrayTribute.html (Tribute Page)

http://www.youtube.com/watch?v=LEUBV8qPZhw&feature=related

http://www.youtube.com/watch?v=uVfmLFWDnYA&feature=related

Patti Smith (Blue Öyster Cult)

Name: Patricia Lee Smith
Born: 30th December, 1946 (Chicago, Illinois, USA)

Profile: She is an American singer-songwriter, poet and visual artist, who became a highly influential component of the New York City punk rock movement with her 1975 début album 'Horses', and was called the 'Godmother of Punk', she integrated the beat poetry performance style with three-chord rock. Smith's most widely known song is 'Because the Night', which was co-written with Bruce Springsteen and reached #13 on the Billboard Hot 100 chart in 1978.

History: As a young girl, she got interested in music in an early stage, and in 1969 she went to Paris with her sister and started busking and doing performance art. When she returned to New York in the early 70's, she spent most of her time painting, writing, and performing.

Smith was briefly considered for the lead singer position in "Blue Öyster Cult". She contributed lyrics to several of the band's songs, including 'Debbie Denise', 'Fire of Unknown Origin' and 'Shooting Shark'. During these years, Smith also wrote rock journalism, some of which was published in Rolling Stone magazine and Creem magazine.

By 1974, Smith was performing rock music herself, initially with guitarist and rock archivist Lenny Kaye, and later with a full band comprising Kaye, Ivan Kral (bass), Jay Dee Daugherty (drums) and Richard Sohl (piano), and named the band as "Patti Smith Group" or "PSG". Financed by Sam Wagstaff, the band recorded a first single, 'Hey Joe/Piss Factory' in 1974.

In 1975, "PSG" was signed by Arista Records, and released their first album 'Horses'. The album fused punk rock and spoken poetry and begins with a cover of Van Morrison's 'Gloria'. As the popularity of punk rock grew, "PSG" toured the US and Europe. The rawer sound of the group's second album, 'Radio Ethiopia', reflected this, and several of its songs from the second album have stood the test of time, and Smith still performs them regularly in concert.

Through most of the 80's, Smith was in semi-retirement from music, but in 1988, she released the album 'Dream of Life', which included the song 'People Have the Power'. In 1994, Smith faced the unexpected death of her brother Todd and "PSG" original keyboard player Richard Sohl. After the impact of these deaths, her friend Michael Stipe (REM) urged her to go back out on the road, and she toured briefly with Bob Dylan in 1995.

In 1996, Smith worked with her long-time colleagues to record 'Gone Again', featuring 'About a Boy', a tribute to Kurt Cobain (Nirvana). Smith was a fan of Cobain, but was more angered than saddened by his death. That same year she collaborated with "Stipe" on 'E-Bow the Letter', and a song on "REM"s 'New Adventures in Hi-Fi', which she has also performed live with the band. After release of 'Gone Again', Smith had recorded two new albums: 'Peace and Noise' in 1997 and Gung Ho in 2000.

In 2005, Smith was named a 'Commander of the Ordre des Arts et des Lettres' by the French Ministry of Culture. In addition to her influence on rock music, the Minister also noted Smith's appreciation of Arthur Rimbaud. In 2007, she was inducted into the Rock & Roll Hall of Fame. She dedicated her award to the memory of her late husband, Fred, and gave a performance of "The Rolling Stones" staple 'Gimme Shelter'. As the closing number of the Rock & Roll Hall of Fame Induction Ceremony, Smith's 'People Have the Power' was used for the big celebrity jam that always ends the program.

Influences: Unknown

Axology: Fender guitars

Signature song(s): Gloria - Patti Smith (Horses, 1975)

Link(s):

http://www.pattismith.net/ (Official website)

http://www.youtube.com/watch?v=c3coSfks4rQ&feature=related

http://www.youtube.com/watch?v=Cppyn-u3Djw&feature=related

Erros Candra (Sheila On 7/Jagostu)

Name: Eross Candra
Born: 3rd July, 1979 (Yogyakarta, Indonesia)

Profile: He is an Indonesian multi-talented musician, composer and guitarist, better known for his guitar work in "Sheila On 7" or (So7).

History: Erros was born in a musical background families, his mother was a singer, his grandfather was a saxophonist and his uncle was a professional guitar player. Since elementary school, he was exposed to the music industry by accompanied his mother to band practice in their home studio, since then he was so interested in guitar and wanted to learn more about the instrument. He got his first acoustic Kawasaki guitar on his 14th birthday from his dad (which he still kept), and started to learn classical guitar from his uncle named Rus.

In 1995, in 3rd grade junior high school, he joined in a band, but it did not last long because one of his band mates moved to the city, and the band was disbanded. While in high school, Eross was invited to joined "Dizzy band' with Icha and Adhit Jikustik, and it was at this time that his old man bought Erros his first electric guitar. In 1996, Eross acquainted with Sakti, Anton, Adam and Duta. After they went a lot of jamming together, "Sheila Gank" was finally formed on May, 1996. The band had followed 'Festival Band DIY in Yogyakarta and got first prize, and both Eross and Adam won the prize as 'The Best Guitarist' and 'The Best Bassist', respectively.

In 1998, "Sheila Gank" had the opportunity to offer demos of their songs to Sony Music Indonesia, and change the band's name to "Sheila On 7" ('Sheila' is derived from the Celtic meaning of music and 'On 7' was taken from the seven scales in music), and their debut album hit the charts and made "So7" as the new Best Indie band in Indonesia.

With "So7", Eross became the most active songwriter in this band, he also composed songs for Memes, Rio Febrian and Tasya, and both the soundtrack for the movie '30 Hari Mencari Cinta' and 'Soe Hok Gie'. In addition to "So7", Eross is also busy with his new project band, "Jagostu". However, he made sure that his new band will not interfere with the existence and integrity of the band who made him as one of the best guitarist in Indonesia.

Influences: Richie Sambora (Bon Jovi), KISS, Europe and God Bless

Axology: Fender Telecaster and Kawasaki acoustic guitar

Signature song(s): Sephia - Sheila on 7 (Sheila on 7, 1999) and Berhenti Berharap - Sheila on 7 (OST - 30 Hari Mencari Cinta)

Link(s):

http://www.sheilaon7.com/ (Official Sheila on 7 website)

http://www.youtube.com/watch?v=j3eh6Q-mxI4&feature=related

http://www.youtube.com/watch?v=TW0k2JkScgs

José Feliciano

Name: José Montserrate Feliciano García
Born: 10th September, 1945 (Lares, Puerto Rico)

Profile: He is a blind Puerto Rican singer, virtuoso guitarist and composer, known for many international hits including the 1970 holiday single "Feliz Navidad".

History: Feliciano was born blind because of congenital glaucoma. He was first exposed to music at age 3. When he was 9, he played on the Teatro Puerto Rico. He started his musical life playing accordion until his grandfather gave him a guitar. He reportedly sat by himself in his room for up to 14 hours a day to listen to 50's rock albums, classical guitarists such as Andrés Segovia, and jazz players such as Wes Montgomery. He later had classical lessons with Harold Morris who earlier had been a student with Segovia.

At 17, he quit school to play in clubs, having his first professional, contracted performance in Detroit. In 1963, after some live performances in pubs and clubs around the USA, where he played at the same time as Bob Dylan, he was signed at RCA Victor.

In 1964, he released his first single 'Everybody Do the Click'. Later, in 1965 and 1966, he also released his first albums 'The Voice and Guitar of Jose Feliciano' and 'A Bag Full of Soul', two folk-pop-soul albums that showcased his talent on radio across the USA, where he was described as a '10 finger wizard'. He also was invited to the Newport Jazz festival in 1964.

After two more successful albums, Feliciano, now a household name all over Latin America, moved to LA. He got together with Rick Jarrard and they recorded "The Doors" song 'Light My Fire' in a Latin style and when released as a single, it reached #3 on the US pop charts in 1968. It sold over a million copies, and was awarded a gold disc. He immediately became a sensation all across North America, selling millions of albums and followed up his success with another top 20 hit in the US with his version of 'Hi-Heel Sneakers', again recorded with a Latin feel. On the strength of this success he won 2 Grammy Awards for Best New Artist Of The Year and for Best Pop Song Of The Year in 1969.

In 1970, he wrote and released an album of Christmas music, 'Felíz Navidad', which may be deemed to be his most famous recording. The title song has been covered by many artists and is now a traditional part of the musical landscape in the US, Canada and Latin America around Christmas time. Each year during the Christmas season, 'Feliz Navidad' returns to US airwaves, one of the most-played and most-downloaded radio songs and downloaded songs of the season. 'Feliz Navidad' is also recognized by ASCAP as one of the 25 all-time most-played Christmas songs in the world.

Feliciano holds the distinction of being one of the few singers to have enjoyed success both in Spanish language music and in English language rock & roll. He won 5 consecutive awards for best pop guitarist from Guitar Player magazine and was voted in jazz, classic and rock fields. He received a star in the Hollywood Walk of Fame in 1987, and continued as a very popular singer during the 80's. He also has a star in the Walk of Fame of his native Puerto Rico.

In 1987, he also had a great hit in Austria with the song 'The Sound of Vienna', at #1 for four weeks and recorded with the famous Vienna Symphony Orchestra. The Orchestra also performed with him live on national television at Danube Park in Vienna before more than 60,000 people. During the 80's, record companies gave him space made only for the Latin market, and he recorded an impressive number of albums for that market, including the Motown albums 'Escenas de Amor' and 'Me Enamoré', as well as others from RCA, EMI, and Capitol which added four more Grammys for best Latin performer.

In 2006, Feliciano's new Spanish album, 'José Feliciano y amigos' was released by Universal Records, featuring Feliciano joined in duets with many other Latin American stars including Marc Anthony and Gloria Estefan, to name a few. In 2007, Feliciano released an album called 'Soundtrack of My Life', the first English-language album composed and written by him.

In 2010, Feliciano performed his rendition of 'The Star-Spangled Banner' again at Comerica Park in Detroit. This was part of the remembrance of Detroit Tigers radio announcer the late Ernie Harwell. He played it similarly to how he did back in 1968; with his acoustic guitar and in his slow tempo-ed, latin jazz style.

Influences: Andrés Segovia and Wes Montgomery

Axology: Unknown

Signature song(s): Feliz Navidad - José Feliciano (1970)

Link(s):

http://www.josefeliciano.com/ (Official website)

http://www.youtube.com/watch?v=MgIC6KOFySk

http://www.youtube.com/watch?v=FKIrqC2QUvg

Buck Owens

Name: Alvis Edgar Owens, Jr. (aka Corky Jones)
Born/Died: 12th August, 1929 (Sherman, Texas, USA) – 25th March, 2006

Profile: He was an American singer and guitarist (better known as Buck Owens), who had 21 number one hits on the Billboard country music charts with his band, "The Buckaroos". They pioneered what came to be called the Bakersfield sound - a reference to Bakersfield, California, the city Owens called home and from which he drew inspiration for what he preferred to call American music.

History: The name 'Buck' was a donkey on the Owens farm, in Texas, when Alvis, Jr., was 3 or 4 years old, he walked into the house and announced that his name was also Buck. That was fine with the family; and young Alvis was Buck from then on. While living in the farm, Buck who was in his teens started to have an interest in music, mainly; pedal steel guitar, and started to learn more about music.

In 1945, Owens co-hosted a radio show called Buck and Britt. Soon, Owens was frequently traveling to Hollywood for session recording jobs at Capitol Records, playing backup for Tennessee Ernie Ford, Sonny James, Wanda Jackson, Del Reeves, Tommy Sands, Tommy Collins, Faron Young and Gene Vincent.

Owens recorded a rockabilly record called 'Hot Dog' for the Pep label, using the pseudonym Corky Jones because he did not want the fact he recorded a rock n' roll tune to hurt his country music career, but sometime in the 50's, he joined the Dusty Rhodes band as a singer. His career took off in 1959, when his song 'Second Fiddle' hit #24 on the Billboard country chart, followed by 'Under Your Spell Again' at #4 and 'Above and Beyond' at #3.

In the early 60's, the countrypolitan sound was popular, with smooth, string-laden, pop-influenced styles used by Eddy Arnold, Jim Reeves, and Patsy Cline, among others. Owens went against the trend, utilizing honky tonk hillbilly feel, mixed idiosyncratically with the Mexican polkas he had heard on border radio stations while growing up. And in 1963, the single 'Act Naturally' became Owens and the Buckaroos' first #1 hit. "The Beatles" later recorded a cover of it in 1965, with Ringo Starr as lead singer (Starr later re-recorded the song as a duet with Owens in 1988).

In 1972, Owens and the Buckaroos finally had another #1 hit, 'Made in Japan', and he added pedal steel guitarist, Jerry Brightman. The band had been without pedal steel since late in 1969, and Owens returned to his grass roots sound of fiddle, steel, and electric guitars releasing a string of singles including 'Arms Full of Empty' and 'Ain't it Amazing Gracie'.

In late 70's, Owens established Buck Owens Enterprises and produced records by several artists. He recorded for Warner Bros. Records and left the TV series Hee Haw in 1986, after 24 seasons. Owens was named the Most Promising Country and Western Singer of 1960 by Billboard.

Influences: Unknown

Axology: Fender guitars

Signature song(s): Act Naturally - Buck Owens and the Buckaroos

Link(s):

http://www.buckowens.com/index2.html (Official website)

http://www.youtube.com/watch?v=fOpgL4mqEis

http://www.youtube.com/watch?v=FSY-IF6pI2g

Shah (Exists/Slam)

Name: Shah Nizam Abdul Halim
Born: Unknown (Kg. Bakar Batu, Johor Bahru, Malaysia)

Profile: He is a Malaysian multi-talented musician, composer, producer, singer and an actor. He is notably known for his works as a guitarist in most of Malaysian top and legendary bands such as "Exists", "Search" and he was the founder of "Slam".

History: He started to play guitar in his early teens, and while still in high-school, Shah joined the 'all-teens band', "Exists" in 1990. This band was the starting point for his career as a professional guitarist. The band was a successful hits in Malaysia, Singapore and Brunei, with the single 'Oh! Ibu'.

After "Exists" second album, Shah left the band and met up with guitarist Ajak, bassist Lili and drummer Man, together they planned to form a new band, with the help of legendary composer Saari Amri. Zamani (vocalist) was the last to joined them, and by 1993, "Slam" was officially formed.

In the mid 90's, Shah and "Slam" released hits songs such as 'Tak Mungkin Berpaling', 'Mentari Muncul Lagi' and 'Gerimis Mengundang'. After Zamani left the band in the late 90's, Shah was already one of the high in-demand sessionist, he even produced "Slam" last album, 'Selamanya...' with 80% of the songs was composed and written by him.

In 1999, Shah joined Malaysian favorite rock band, "Search", after replacing the band's long time guitarist Kid (Search). With the band, Shah as the lead guitarist only collaborated in one album, 'Selepas Banjir'. He left the band in 2000, and tried to reunite back with "Slam" as a singer and guitarist.

Currently, Shah still works in the music industry as a session guitarist and producer. He even produced the Indie band "Sunday" back in 2003 and have worked with various artist for live performances and albums.

Influences: Joe Satriani

Axology: Fender Stratocaster

Signature song(s): Mentari Muncul Lagi (Unplugged) - Slam (Konsert Unplugged, 1997) and Kejoraku Bersatu - Search (Selepas Banjir, 1999)

Link(s):

http://www.youtube.com/watch?v=gxrhdq5Hgko

http://www.youtube.com/watch?v=CF-bTC7obVo

http://www.youtube.com/watch?v=4jvq2bveSyc

Roy Clark (Million Dollar Band)

Name: Roy Linwood Clark
Born: 15th April, 1933 (Meherrin, Virginia, USA)

Profile: He is an American country music musician and performer. He is best known for hosting Hee Haw, a nationally televised country variety show, from 1969 to 1992. He is an entertainer most of all, with an amiable personality and a telegenic presence. He is highly regarded as both a guitarist and banjo player, and is also skilled in classical guitar as well as playing several other instruments.

History: At the age of 14, Young Clark began playing banjo, guitar, and mandolin. He won two National Banjo Championships by the age of 15. He was simultaneously pursuing a sporting career, first as a baseball player, and then as a boxer, before switching over to music full time. At the age of 17, he had his first appearance on the Grand Ole Opry. By the time he was 15 he had already won the world banjo/guitar flatpick championship twice.

By 1955, he was a regular on Jimmy Dean's Washington, DC television program, where Clark played on Dean's band, the "Texas Wildcats". In 1960, Clark went out to Las Vegas where he worked as guitarist in a band led by former West Coast Western Swing bandleader-comedian Hank Penny. During the 60's, he was also prominent in the backing band for Wanda Jackson during the latter part of her rockabilly period.

When Dean was tapped to host The Tonight Show in the early 60's, he asked Clark to appear, introducing him to a national audience for the first time. Subsequently, Clark appeared on The Beverly Hillbillies as a recurring character. Once, on an episode of the Sunday evening Jackie Gleason Show dedicated to country music, Clark played a blistering rendition of 'Down Home'. Later, he even appeared on an episode of The Odd Couple where he played 'Malagueña'.

In 1963, Clark signed to Capitol Records and had three top 10 hits. He switched to Dot Records and again scored hits. He later recorded for ABC Records, which had acquired Dot, and MCA Records, which absorbed the ABC label. In 1969, Clark and Buck Owens were the hosts of Hee Haw. The show was dropped by CBS Television in 1971 but continued to run in syndication for 20 more years. During its tenure, Clark was a member of the "Million Dollar Band".

In 1983, Clark opened the Roy Clark Celebrity Theatre in Branson, Missouri, becoming the first country music star to have his own venue there, and beginning a trend which led to Branson becoming a center of live music performance, as it is today. Many of the celebrities who have played in Branson first entertained at the Roy Clark Celebrity Theatre. Clark frequently played in Branson during the 80's and 90's. He has since sold the venue and gone back to a fairly light touring schedule, which usually includes a performance with Ramona Jones and the Jones Family Band at their annual tribute to Clark's old Hee Haw co-star Grandpa Jones in Mountain View, Arkansas.

In addition to his musical skill, Clark has often displayed his talents as a comedian and actor. During his years on Hee Haw, Clark entertained with numerous comedy sketches, including a recurring feature where he played the clerk of the 'Empty Arms Hotel'. Clark released several albums of his comedic performances, to varying critical acclaim and commercial success.

Influences: Unknown

Axology: Mosrite guitars, Gretsch guitars and Heritage guitars - Roy Clark model

Signature song(s): Yesterday, When I Was Young - Roy Clark

Link(s):

http://www.royclark.org/ (Official website)

http://www.youtube.com/watch?v=r6x-DCbaC3k

http://www.youtube.com/watch?v=oqnU83wPmfc

Tanya Donelly (Throwing Muses/Belly)

Name: Tanya Donelly
Born: 14th July, 1966 (Newport, Rhode Island, USA)

Profile: She is an American Grammy-nominated singer, songwriter and guitarist based in New England who co-founded "Throwing Muses". She is best known as lead vocalist and songwriter for "Belly"'.

History: At age 8, she met with Kristin Hersh in school and their quickly becoming close friends. Eventually, Donelly's father later married Hersh's mother.

Around the age of 14, Hersh's and Donelly's fathers both gave them their own guitars and they initially started playing along with "The Beatles" songs. Soon after, the two started to play along with songs written by Hersh's musical father and then began to write original songs of their own. At age 15, Donelly and Hersh founded "Throwing Muses".

Throughout the 80's, Donelly worked as lead guitarist and secondary vocalist/songwriter, complementing the work of band leader Hersh. In 1986, the band did recording albums for the British 4AD label. Although the band's work generally employed complex rhythms and offbeat chord structures, Donelly has said she eventually accepted that her compositions were simpler and had 'more traditional songwriting sensibilities' than Hersh's, by the last two years she worked in the band. Some of her tunes from this period include 'Green', 'Dragonhead' and 'Angel'.

In 1990, Donelly had additionally begun working in a side project called "The Breeders" with Kim Deal (Pixies). Working with this band increased Donelly's versatility as a guitarist. In 1991, after the released of "Throwing Muses" album 'The Real Ramona', Donelly officially left the band and founded "Belly", as guitarist, vocalist and songwriter.

In 1993, "Belly" released the 'Star' LP, the album soon peaked at #2 on the UK music charts and featured, 'Feed the Tree', which quickly rated at #1. In 1995, the band released, 'King'. Though critically well-received, this album did not match the commercial success of 'Star'. The band officially broke up in 1996.

After "Belly" was disbanded, Donelly put together a group of musicians to tour internationally with, just prior to her first solo release, the 'Sliding & Diving' EP. Included on the tour were bassist Dean Fisher (husband) and drummer Stacy Jones (Letters to Cleo).

In 2004, Donelly released 'Whiskey Tango Ghosts', an acoustic album laced with Rich Gilbert's pedal steel guitar touches. The album's lyrics explored, in part, marital relationships and family life. Donelly has said the album's minor-key tone was influenced by 'a horrible war, a horrible administration, a bleak, mean winter'.

Influences: Marc Ribot, Leonard Cohen, Lucinda Williams, Joan Wasser, Robyn Hitchcock, Nina Simone, Kristin Hersh, "Dambuilders", "Pixies", "Count Zero" and "The Beatles"

Axology: Campbell American guitar - Tanya Donelly signature model and Fender Telecaster Thinline

Signature song(s): Feed the Tree - Belly (Star LP, 1993)


Link(s):

http://www.tanyadonelly.com/ (Official website)

http://www.youtube.com/watch?v=1EkoG75W9NY

http://www.youtube.com/watch?v=fpwqcR-lHuY&feature=PlayList&p=57C21F566D771728&playnext_from=PL&playnext=1&index=3

Daisy Berkowitz (Marilyn Manson/3TG)

Name: Scott Mitchell Putesky
Born: 28th April, 1968 (Los Angeles, California, USA)

Profile: He is better known by his stage name Daisy Berkowitz, a professional musician and was the guitarist of industrial metal band "Marilyn Manson" before moving on to "Three Ton Gate" (3TG) and "Stuck on Evil". His stage name is formed from the names Daisy Duke and David Berkowitz.

History: Putesky's first musical instruments were the flute and the snare drum, and in 6th grade he joined the school's chorus, for which he apparently had a talent. His early loves were drawing and Sci-Fi movies (mainly Star Wars). His first record was the Star Wars soundtrack, and the influence that it had on him can be seen in much of his original artwork, which consists of aliens and spaceships.

In the late 70's, when he was in his early teenage years, he found admiration for artists such as David Bowie and "Talking Heads", influences that are apparent in his later work. In 1980, Putesky's discovery of MTV after his moving to Fort Lauderdale, gave him the inspiration to save up to buy a small Casio keyboard. He taught himself to play, and later, in 8th grade, took guitar lessons. Influenced by his early favorites, which lead to his development of an odd personal style sometimes described as a fusion between blues and grunge.

Putesky's first band was "The Flying Eggbeaters", with drummer Tom Wolf and bassist Jim Neuman. This gave him the experience needed to later go on to other bands, such as "Blue China" and "Ear Wacks". In 1988, after being given a small 4-track recorder by his parents, he bought a bass guitar and a drumkit to record his music with a full ensemble, at this period, he met with Brian Warner (future frontman of "Marilyn Manson") at a local party and the two instantly bonded.

Putesky, who had at this point not thought to advance his lyrical ability, began to meet up with Warner and brainstorm after his admission of wanting to start a band as a creative outlet for his poetry-writing abilities. Dual input from both parties gave the band its darkly psychedelic style, and as early as 1989, they began to record on Putesky's 4-track songs that would seven years later become known as 'Cake and Sodomy' and 'Dogma'. They quickly assembled a band with Warner's schoolmate Brian Tutunick (aka Olivia Newton Bundy) and Perry Pandrea (aka Zsa Zsa Speck). The band played its first show at Churchills, Miami and was known as "Marilyn Manson & the Spooky Kids".

In the early 90's, the band quickly built a cult following, playing at clubs and later opening for several national acts such as "Danzig". In 1992, "Marilyn Manson & the Spooky Kids" played their last show and renaming themselves to a shorter "Marilyn Manson". Though the band built up a strong local fanbase throughout these years, it was not until their 1995 release 'Smells Like Children' that they caught the ear of the world with the darkly gothic cover of Eurythmics' 'Sweet Dreams (Are Made of This)'.

After opening for "Danzig", having two headlining tours, the band headed back to the studio to begin work on their new album 'Antichrist Superstar'. At this point, creative differences between Warner and Putesky reached their peak. Putesky left "Marilyn Manson", abandoning the Daisy Berkowitz moniker in favor of his own initials, SMP, and began recording demos for his first solo project, "Three Ton Gate".

In 1997, the album was released, written entirely by Putesky using the name Scott Mitchell (his first and middle name), and featured gothic vocalist Tyreah James. In 1998, Putesky joined up with longtime "Marilyn Manson" collaborators "Jack Off Jill", replacing departing member guitarist Ho Ho Spade and playing live on their 1999 West Coast tour. His first recorded work with the band was the EP 'Covetous Creature'. By early 1999, Putesky was no longer a member of "Jack Off Jill", by most accounts, he simply lost interest in the band and he kicked around several solo and collaborative projects.

He also re-established the "Rednecks on Drugs" project with fellow musician Rich Penny, eventually, "Rednecks on Drugs" metamorphosed into "Stuck on Evil", essentially a hard-rock band with gothic and early Rock 'N Roll influences. In 2001, the band recorded a 10-song full-length album, 'Suntanic', produced by Putesky. However, following the September, 11 (911) attacks, and the subsequent condemnation of 'evildoers' by President Bush, the band decided to drop the word 'evil' from its name, reverting to the original name of "Three Ton Gate", and Putesky recorded the album 'Lose Your Mind' in 2003.

Influences: David Bowie, "The Cure", "U2", "Talking Heads" and Star Wars (soundtrack)

Axology: Yamaha RGX 612-S

Signature song(s): Sweet Dreams (Are Made of This) - Marilyn Manson (Smells Like Children, 1995)

Link(s):

http://www.myspace.com/threetongatemusic (Three Ton Gate's Official Myspace)

http://www.youtube.com/watch?v=m6VojYGrnpg

http://www.youtube.com/watch?v=S0CliSpoCPQ

Abdee Negara (Slank)

Name: Abdee Negara
Born: 28th Jun, 1968 (Danggala, Sulawesi, Indonesia)

Profile: He is an Indonesian guitarist, producer and sound engineer. He is notably known as the lead guitarist for the legendary rock band "Slank", after replacing Pay Siburian who left in 1996.

History: Abdee is a self taught guitar player. He started to play guitar in his early teens, and wanted to become a professional musician ever since. In the 80's, he moved from Kota Palu to Jakarta, to pursue his dreams. His first band was with Ecky Lamoh, Gideon Tengker and Henky Supit. After the band split, he became a session player for various artists, from Ermy Kulit to "Trio Kwek-Kwek".

In 1996, after guitarist Pay Siburian left "Slank", Abdee went on to audition for the legendary group. He was accepted for the post and in 1997, "Slank's" 7th studio album 'Tujuh' was Abdee's debut album with the band. The album gave new sound to the band due to Abdee's influences in blues and he even added some of his 'slide' trademarks.

From the start, when he joined "Slank", Abdee has contributed all his efforts on "Slank's" albums. Currently, he is the sound engineer and producer for the band. And he has released 7 albums altogther, from 'Tujuh' (1997), 'Mata Hati Reformasi' (1999), 'Ngangkang' (2000), 'Virus' (2001), 'Satu satu dan Bajakan' (2003) and to the latest album 'The Big Hip' {2008}.

With his tight schedules with "Slank", Abdee also collaborated and produced for other bands, such as "Seurius". He is also a clinician for the G Plus magazine and an endorser for Extreme guitars.

Influences: Keith Richard (Rolling Stones) and Ry Cooder

Axology: Fender Telecaster and Extreme guitars - mainly Telecaster model

Signature song(s): Ketinggalan Zaman - Slank (Mata Hati Reformasi, 1999)

Link(s):

http://www.youtube.com/watch?v=NelLupDNcVY

http://www.youtube.com/watch?v=tdHhPQGCCjo&feature=related

http://www.youtube.com/watch?v=QZm4m5Q4La0&feature=related

Dick Dale (The Del-Tones)

Name: Richard Anthony Monsour
Born: 4th May, 1937 (Boston, Massachusetts, USA)

Profile: He is a surf-rock guitarist, known as 'The King of the Surf Guitar'. He experimented with reverberation and made use of custom made Fender amplifiers, including the first-ever 100-watt guitar amplifier.

History: In 1954, Dale moved to Massachusetts to Orange County, California. He learned to surf and became interested in music. He soon learned to play the drums, the trumpet, but it was the ukelele that really caught his ear - a lefty, Dale played the instrument upside-down and backwards but without restringing it, from ukelele it evolves to playing the guitar. Eventually, he formed a band called "The Del-Tones" (Texas DJ; 'T. Texas Tiny' suggested Dale's stage name).

Much of his early music shows a Middle Eastern influence; Dale is often credited as one of the first electric guitarists to employ non-Western scales in his playing. Dale himself was an amateur surfer and wanted his music to reflect the sounds he heard in his mind while surfing. While he is primarily known for introducing the use of guitar reverb that would give the guitar a 'wet' sound, which has since become a staple of surf music, it was Dale's tremolo picking that was his trademark.

With his backing band "The Del-Tones", Dale's live performances became huge local draws. The song 'Let's Go Trippin' is often regarded as the first surf rock song. This was followed by more locally released songs, including 'Jungle Fever' and 'Surf Beat' on his own Deltone label. His first full-length album was 'Surfers' Choice' in 1962. His signature single 'Misirlou' went to #1 in America, followed by his second album, named after his performing nickname, 'King of the Surf Guitar'.

In 1964, surf rock briefly became nationally popular in the US, but the British Invasion began to overtake the American charts. In 1986, he recorded a new album and was nominated for a Grammy, and the use of 'Misirlou' in the Quentin Tarantino film, 'Pulp Fiction', gained him a new audience. He has released several albums since and continues to tour.

In 1987, he appeared in the movie 'Back to the Beach'. He features playing surf music, also playing 'Pipeline' with blues legendary, the late Stevie Ray Vaughan. And in 2005, the "Black Eyed Peas" song 'Pump It' from the 'Monkey Business' album heavily samples Dale's 'Misirlou'. 'Misirlou' is also featured on games such as the infamous; Guitar Hero II, as well as Rayman Raving Rabbids.

Influences: Hank Williams, Gene Krupa and Harry James

Axology: Fender Stratocaster guitar and Fender Dual Showman amplifiers

Signature song(s): Misirlou - Dick Dale and The Del-Tones (Surfer's Choice, 1962)

Link(s):

http://www.dickdale.com/ (Official website)

http://www.youtube.com/watch?v=m6M6kd8cmpI

http://www.youtube.com/watch?v=kXq7e4Zbrx0&feature=related

Muddy Waters

Name: McKinley Morganfield
Born/Died: 4th April, 1915 (Issaquena County, Mississippi, USA) – 30th April, 1983

Profile: He was an American blues musician, generally considered 'the Father of Chicago blues'. Blues musicians Big Bill Morganfield and Larry 'Mud Morganfield' Williams are his sons. A major inspiration for the British blues explosion in the 60's, Waters was ranked #17 in Rolling Stone magazine's list of the 100 Greatest Artists of All Time. His fondness for playing in mud earned him the nickname 'Muddy' at an early age. He later changed it to 'Muddy Water' and finally 'Muddy Waters'.

History: He started out on harmonica but by the age of 17 he was playing the guitar at parties emulating two blues artists who were extremely popular in the south, Son House and Robert Johnson.  Waters moved to Chicago for the first time in 1940. He played with Silas Green a year later, and then returned to Mississippi. In the early part of the decade he ran a juke joint and performed music there himself.

In 1943, Waters headed back to Chicago with the hope of becoming a full-time professional musician. Big Bill Broonzy, one of the leading bluesmen in Chicago at the time, helped Waters break into the very competitive market by allowing him to open for his shows in the rowdy clubs. In 1945, his uncle Joe Grant gave him his first electric guitar which enabled him to be heard above the noisy crowds.

In 1947, Waters recorded some tunes for Aristocrat, he also played guitar with Sunnyland Slim on piano, but in 1948, songs like 'I Can't Be Satisfied' and 'I Feel Like Going Home' became big hits and his popularity in clubs began to take off. Soon after, Aristocrat changed their label name to Chess Records and Waters' signature tune 'Rollin' Stone' also became a smash hit.

In 1958, Waters headed to England and shocked audiences (whose only previous exposure to blues had come via the acoustic folk/blues sounds of acts such as Sonny Terry & Brownie McGhee and Big Bill Broonzy) with his loud, amplified electric guitar and thunderous beat. His performance at the 1960 Newport Jazz Festival, recorded and released as his first live album, At Newport 1960, helped turn on a whole new generation to Waters' sound. He expressed dismay when he realized that members of his own race were turning their backs on the genre while a white audience had shown increasing respect for the blues.

Waters' sound was basically Delta blues electrified, but his use of microtones, in both his vocals and slide playing, made it extremely difficult to duplicate and follow correctly.

Influences: Unknown

Axology: Fender Telecaster guitars

Signature song(s): Rollin' Stones - Muddy Waters (The Best of..., 1958)

Link(s):

http://www.muddywaters.com/ (Official website)

http://www.youtube.com/watch?v=uO4A6xx65WU&feature=related

http://www.youtube.com/watch?v=0StecXInguc&feature=related

Rhoma Irama (Orkes Melayu Purnama/Soneta)

Name: Raden Oma Irama
Born: 11th December, 1946 (Tasikmalaya, Indonesia)

Profile: He is an Indonesian dangdut guitarist, singer and actor. During the height of his stardom in the 70's, he became the self-proclaimed 'Raja Dangdut' (King of Dangdut) with his group "Soneta".

History: His career began in the late 60's when he recorded solo records and with the group "Orkes Melayu Purnama". He sang duets on several record LPs with Indonesian female vocal stars such as Inneke Kusumawati, Ellya Khadam, Lily Junaedhy, Vivi Sumanti, and the later to be crowned 'Queen of Dangdut', Elvy Sukaesih.

It was at this period of time, a new popular music called Dangdut emerged from the slums and suburbs of Jakarta in Indonesia. The music was performed on an electrified and modernized version of the older acoustic orkes melayu orchestra and combined influences from Indian and Malaysian film music, Islamic popular music and American popular song, primarily rock.

The name dangdut is an onomatopoeic reference to the tabla-like pair of drums used in the ensemble that supply the genre with its defining rhythm: DANG dut, in which a heavy, low-sounding pitch off the beat ("dang") is followed by a light, higher pitch note on the downbeat ("dut"). The form was originally characterized by love duets between young men and women.

Once Oma broke from recording with "Orkes Melayu Purnama", he eventually formed "Orkes Melayu Soneta", the first so-called Dangdut group. In fact, Oma established the term Dangdut with a song by that name from the early 70's. He wrote the classics 'Kareta Malam' and 'Kuda Lumping' which were sung by Elvy Sukaesih. Once "Soneta" was established in the early 70's, Oma changed his name to Rhoma and went on a decade long run of successful hit records and films, all of which starred Rhoma playing himself while performing all of his hits.

During the 80's, Dangdut was synonymous with the on-stage persona of Rhoma, dressed in a tight black tanktop, headband, leather pants, gloves and boots, and playing a black flying-V guitar, sweatily glistening in heavy-metal dangdut glory-certainly a far cry from the bubblegum, coy flirtatiousness of the heavily made-up teen dangdut singers of the genre's early years. By the late 80's, Rhoma had become fabulously wealthy. During this era, he continued to record and develop an international reputation, collaborating with such legends as Lata Mengeshkar, the golden voice of Bollywood.

Today, Rhoma is still active with the dangdut and entertainment business. However, with his semi-retirement, dangdut has reverted mostly to light flirtatious songs, and today it greatly resembles other forms of more overtly Westernized Indonesian genres of popular music.

Influences: Unknown

Axology: Fender Stratocaster and Gibson Flying V

Signature song(s): Begadang - Rhoma Irama (Begadang, 1978)

Link(s):

http://www.youtube.com/watch?v=bimiSFIDCN4

http://www.youtube.com/watch?v=flJ57d1zRZw

http://www.youtube.com/watch?v=nkG9id2eXb0&feature=related

Pay Siburian (Slank/BIP)

Name: Parlin Burman Siburian
Born: 2nd May, 1970 (Pematang Siantar, Sumatera, Indonesia)

Profile: He is an Indonesia musician and lead guitarist, notably known for his guitar works in the legendary rock group "Slank". He was one of the few Indonesian guitarist featured in the album 'Gitar Klinik' and jam with Andy Timmons (Danger Danger) at the Hard Rock Cafe, Jakarta.

History: Started to play guitar since year 4 at school, and determined to make music as his career. In his teenage years, he joined various of bands, but never had the opportunity to get a deal with any major recordings.

In the mid 80's, Pay was heavily influenced by Eddie Van Halen and Steve Vai (at that time, Vai was still with David Lee Roth's band). With the help of these influenced, Pay started to play rock and heavy music.

In 1989, he joined "Slank", a rock group from Jakarta. Pay who at that time knew a few major producers, try his luck to sent the band's demos. Eventually, the band got a deal for an album and in 1990, "Slank" released their debut album 'Suit-Suit....Hehehe (Gadis Sexy)'. The album was a hit and received a lot of positive reviews, and the band was known as the new Indonesia Rock group, after "God Bless".

In 1996, after releasing 5 albums with "Slank", Pay quit the band. After four long years leaving "Slank", he formed a new rock band called "BIP", with other former "Slank" members (bassist Bongky and keyboardist Indra). With this new lineup (joined by drummer Jaka and vocalist Irang Perdana), "BIP" has released 4 albums, 'Turun dari Langit' - (2001), 'Min Plus' - (2002), 'The Best of .....' - (2003) and 'Udara Segar' - (2004).

Pay also collaborated with Ronald, vocalist Once (Dewa19) and the late vocalist Andy Liany to formed "Fargat 27". The band released their only album 'Seribu Angan'.

Influences: Joe Satriani, Steve Vai, Keith Richard (Rolling Stone), Michael Lee Firkins, Eddie Van Halen, Eet Sjahranie (EdanE) and Edy Kemput

Axology: Fender Telecaster, Jackson guitars, Ibanez guitars, Laney amplifiers and Marshall amplifiers

Signature song(s): Hey…Bung! - Slank (Generasi Biru, 1995) and Ke Rumah Kak Butet - Pay Siburian (Gitar Klinik)

Link(s):

http://www.youtube.com/watch?v=VuDonaKprcg

http://www.youtube.com/watch?v=DSmxBoRgr4o&feature=related

http://www.youtube.com/watch?v=GwgEFQrvuEw&feature=related

Tomo Fujita

Name: Tomo Fujita
Born: Unknown

Profile: He is a Japanese guitarist and an assistant professor in Berklee College of Music (Guitar Department). He is also a columnist for Japanese guitar magazines.

History: His love in music started when he was young, and determined to be a musician ever since. He went to Berklee College of Music, where he met and studied with Jazz-guitarist Joe Pass. Tomo earned a degree at Berklee College of Music and has been a faculty member at Berklee since 1993. Perhaps the most famous of his former Berklee students are "Soulive" guitarist Eric Krasno (Kraz) and John Mayer.

After he graduated from Berklee College, Tomo was interested in discovering more about the blues. He listened to all the records of legendary BB King and T-Bone Walker, and started playing with blues bands. He could play blues technically, but emotionally he could not connect himself to the music, he then started (experimenting) playing gospel music at church every Sunday, to capture the 'feel'.

He possesses all the elements of great musicianship; astounding technical ability, flawless rhythm skills, and a total command of his instrument. In his private lessons, he teach fundamental techniques for playing good music — by getting a good tone from the guitar and keeping a good rhythm. He discovered in playing blues songs, it was very difficult to achieve quality and the details, that is why he teach a lot of grooves and rhythm. It is very important for him, to emphasize expression, tone and time.

Tomo has performed with some of the best artists in the world, including Phil Collins, John Mayer, James Genus (Saturday Night Live), Will Lee (Late Show with David Letterman), Kenwood Dennard, bassist Jaco Pastorious, Dizzy Gillespie, Jimmy Smith, Darryl Jones, Miles Davis, Sting, the "Rolling Stones", Paul Jackson, Ronnie Earl, Steve Gadd, Bernard Purdie, Steve Jordan and Susan Tedeschi.

Tomo is also affiliated with the major music schools in his native Japan. His articles have been published in the Japanese magazines 'Jazz Life' and 'Jazz Guitar', and he is a regular contributor to the Japanese edition of 'Guitar magazine'. His instructional materials are especially popular in Japan, where guitar players have bought more than 100,000 copies of his videos and books.
Tomo also enjoyed a guitar-playing gig in a Boston production of the musical 'Rent'. And, currently, Tomo is touring to promote his newly released album 'Pure', and he usually presents clinics annually in Japan.

Influences: BB King, T-Bone Walker, Jimi Hendrix, Joe Pass, Larry Carlton, Ray Charles, James Brown, Jeff Beck and Stevie Ray Vaughan

Axology: Fender guitars, Fender amplifiers and Fuchs amplifiers

Signature song(s): Tomo Fujita (Right Place, Right Time, 2007) and (Pure, 2010)

Link(s):

http://www.tomofujita.com/ (Official website)

http://www.youtube.com/watch?v=hP-alOw-ALw

Christopher Amott (Arch Enemy/Armageddon)

Name: Christopher Amott
Born: 23rd November, 1977 (Halmstad, Sweden)

Profile: He is a Swedish guitarist, vocalist and younger brother of guitarist Michael Amott (Carcass) and founding member of the Swedish metal bands "Arch Enemy" and "Armageddon".

History: Inspired by his older brother Michael Amott's band "Carcass", Christopher began studying the guitar at 14, playing in local bands, and eventually attending music college at age 18. His style of playing consist of aggressive, fast vibrato, speedy alternate-picking and fluid lead lines.

While attending music school in 1996, Amott's brother Michael asked him to record solos for his new melodic death metal project "Arch Enemy". The 'Black Earth' album was released in Japan, and was an instant hit, receiving regular airplay on Japanese MTV. In 1997, the band were invited to play in Japan, and it was there that Amott secured a deal for his "Armageddon" side project. The project began as a melodic death metal band, similar in style to "Arch Enemy", but with a more conceptual feel to the lyrics. "Armageddon" released their first debut album 'Crossing the Rubicon' in 1997.

In 1999, with "Arch Enemy" gaining ground worldwide, Amott would go on to release 'Burning Bridges' and 'Burning Japan Live 1999', then take a break until the later part of 2000, when "Armageddon" released their second album 'Embrace the Mystery' in Japan. This time featuring a melodic singer, and more of an overall power metal feel, the album was a drastic shift from the straight ahead melodic death metal, and marked Amott's desire to branch out of the extreme metal genre.

In 2001, "Arch Enemy" were joined by new singer Angela Gossow, and the band reached new heights in worldwide popularity with the release of 'Wages of Sin'. After completing an extensive world tour with "Arch Enemy", Amott returned to his "Armageddon" project, and released 'Three' in 2002. This album featured Amott as lead vocals. In 2005, "Arch Enemy" released, 'Doomsday Machine', but immediately after the recording, Amott left the band.

He now spent the next two years teaching music in Sweden, as well as attending a university. In 2010, Amott revealed that he would be releasing a solo album early in the year entitled 'Follow Your Heart'.

Influences: John Sykes, Yngwie Malmsteen, Uli Jon Roth, John Norum and Michael Schenker

Axology: Caparison guitars, ESP guitars, Boss Digital Delay DD-3 and Peavey JSX amplifiers

Signature song(s): Seed of Hate - Arch Enemy (Burning Bridges, 1999)

Link(s):

http://www.youtube.com/watch?v=K7jbX2HKEOc

http://www.youtube.com/watch?v=R4Dn02bR4pg&feature=related

Number Four (Stone Sour/Slipknot)

Name: James Donald Root
Born: 2nd October, 1971 (Las Vegas, Nevada, USA)

Profile: He is an American multi-talented musician known for being the rhythm and lead guitarist in "Slipknot", and also known by his number #4. He was the last member to join the current line-up of "Slipknot", in 1999. He was also known for his work as a lead guitarist and backing vocalist for "Stone Sour".

History: Root started guitar in his teens and was a self-taught guitarist. In his early days as a guitarist, he has performed in various bands such as "Anal Blast", "Atomic Opera", "Deadfront" and "Stone Sour". Prior to joining "Slipknot" in 1999, replacing their original guitarist, Josh Brainard, vocalist Corey Taylor invited Root to join the band based on Taylor's past experiences working with him in "Stone Sour".

Root and Corey reunited the band "Stone Sour", during the hiatus between the "Slipknot" albums 'Iowa' and 'Vol. 3: (The Subliminal Verses)'. As well as lending his guitar talents to the band, he has also performed drums on one song the band has recorded.

In "Slipknot", most of the guitar work is fast and heavy. Root and co-guitarist Mick Thomson do trade some leads on the band's 'Vol 3' album, but their music is otherwise almost completely devoid of guitar solos. All guitars in "Slipknot" are tuned to 1 1/2 steps down from dropped D (low to high; B, F#, B, E, G#, C#) except for on the songs 'My Plague', 'The Heretic Anthem', 'Skin Ticket', 'New Abortion' and 'Iowa', on which they are tuned to B tuning dropped A (low to high; A, E, A, D, F#, B). While in "Stone Sour", Root's guitar works concentrates more on building melodic metal anthems.

Outside "Slipknot" and "Stone Sour", Root has appeared on "Slipknot" turntablist Sid Wilson's "DJ Starscream" album 'The New Leader' and John 5's 'The Devil Knows My Name', and also appeared on the Roadrunner United project, performing the solo and harmony guitars on 'Tired 'N Lonely' from the project's album 'The All-Star Sessions'. He also appeared on Jonathan Davis and the SFA´s cover of Lil Wayne´s 'Got Money'.

Influences: Jeff Beck, Eric Clapton, George Harrison (The Beatles) and David Gilmour (Pink Floyd)

Axology: Fender Telecaster, Gibson Flying V, Charvel guitar, Jackson guitars, PRS guitars, Maverick JR-4, Martin acoustic guitar, Dunlop Crybaby, DigiTech effects, Rivera amplifiers and Orange amplifiers

Signature song(s): Spit It Out - Slipknot (Slipknot, 1999)

Link(s):

http://www.slipknot1.com/ (Slipknot's official website)

http://www.youtube.com/watch?v=Wws7mnMewPw

http://www.youtube.com/watch?v=kP5PqJpk5lQ&feature=channel